THE TRAGIC DECLINE OF THE GREAT AMERICAN ASSASSIN

American Mojo

by Colin Liddell

The recent release of Clint Eastwood’s film American Sniper got me thinking about the long-range marksmen and cold-blooded killers who pick off their targets at distance. The film’s release, close to Martin Luther King Day, also got me thinking of those other unique individuals who go for that special kill; the high profile political assassination.

AMERICAN SNIPER: SHEEP, WOLVES, & SHEEPDOGS

The great Neo-Con Wars of the early 21st century.

by Greg Allmain

A lot of hype has surrounded Clint Eastwood’s cinematic version of American Sniper, the story of the most prolific sniper in American military history, Chris Kyle, accredited with 160 confirmed kills out of 255 probable kills, clocked up over four tours of duty in Iraq.

Much of the hype surrounding the movie has centered around Bradley Cooper’s performance, and Cooper certainly deserves the credit. While watching the movie, it’s difficult to remember that Cooper largely made his big time breakthrough with the buddy comedy The Hangover, and at least from a cinematic point of view, one can certainly say Cooper carries the film, which is, in some respects, a bit disjointed. Regardless, Eastwood and Cooper combine to give an accurate portrayal of the West’s modern day warriors, something that, not surprisingly, the professional Left throughout the world has found deeply troubling.