With the closing of another year marked by media hysteria, the narrative that the crazed hermit North Korean regime orchestrated the hacking of the Japanese-owned Hollywood company Sony, thereby assaulting our precious freedom to crank out cultural subversion, has quickly begun to fall apart. From the beginning the story never held neither consistency nor any forensic evidence. Yet the notion that ruthless Korean dictator Kim Jong Un wants to keep them from the movies, the modern substitute for the West’s emptying churches, has sent cable news consumers into a panic.
