Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

CONSPIRACY CORNER: THE LAST JEDI


Andy Nowicki considers the latest Star Wars movie The Last Jedi, and speculates on why Disney is turning our heroes to zeroes. The official narrative is that the filmmakers are "bravely challenging" our "stuffy preconceptions" of Star Wars, but, given the direction of the daring innovations, doesn't it make more sense to see this as a dangerous psy-op designed to spread nihilism, despair, and a Satanic outlook on life? 

PODCAST 51: THE YEAR OF THE FROG



Colin and Andy are joined by Alt-Right stalwarts Richard Wolstencroft and Alex Fontana to take a long look back at the "Current Year" that will soon be no more. Among many topics discussed are Bowie, Brexit, Trump, the Alt-Right, and the nature of Capitalism. Will Trump live up to the hopes placed in him, or will he disappoint? All this and more in the final Alt-Right podcast of 2016, a remarkable and revolutionary year. Onward and upwards to 2017!



EYE FROM THE RIGHT: STAR WARS EPISODE 7

Contemporary Media seen from the Right



Star Wars Episode 7 is a big disappointment. The trailer only gave two segments of the movie away, so there's plenty still to see which is good. On one level it's a mildly diverting, two-hour-and-a-bit sci-fi movie that is not without some good moments and pacing. But really it's all rather soulless. And as Star Wars Episode 7 – one of the most hotly anticipated films in history of genre cinema – it feels like a huge let down.

The main problem is: the plot and the director.

STAR WARS: THE DIVERSITY AWAKENS

Empowered woman: don't question what she can do.

by Colin Liddell

Much has been said about the latest Star Wars movie, The Force Awakens. In Alt-Right circles this has tended to focus on a kind of unholy trinity of:
  1. The malevolent Jewishness of J.J. Abrams
  2. The malevolent casting of a Black actor in one of the two lead roles
  3. The malevolent casting of a "kick-ass," "empowered" woman in the other lead
It is not difficult to "prove" any one of these points. Abrams is on record making negative comments about Whiteness and his desire to diversify the cast, and it is not difficult to spin these comments as maliciously anti-White or his casting as “anti-White” and “anti-male.”

INTO THE GRIM DARKNESS...

"It is the 41st Millennium. For more than a hundred centuries the Emperor of Mankind has sat immobile on the Golden Throne of Earth. He is the master of mankind by the will of the gods and master of a million worlds by the might of his inexhaustible armies. He is a rotting carcass writhing invisibly with power from the Dark Age of Technology. He is the Carrion Lord of the vast Imperium of Man for whom a thousand souls are sacrificed every day so that he may never truly die. Yet even in his deathless state, the Emperor continues his eternal vigilance. Mighty battlefleets cross the daemon-infested miasma of the Warp, the only route between distant stars, their way lit by the Astronomican, the psychic manifestation of the Emperor's will. Vast armies give battle in His name on uncounted worlds. Greatest amongst his soldiers are the Adeptus Astartes, the Space Marines, bio-engineered super-warriors. Their comrades in arms are legion: the Imperial Guard and countless planetary defence forces, the ever-vigilant Inquisition and the tech-priests of the Adeptus Mechanicus to name only a few. But for all their multitudes, they are barely enough to hold off the ever-present threat to humanity from aliens, heretics, mutants – and far, far worse. To be a man in such times is to be one amongst untold billions. It is to live in the cruelest and most bloody regime imaginable. These are the tales of those times. Forget the power of technology and science, for so much has been forgotten, never to be relearned. Forget the promise of progress and understanding, for in the grim dark future there is only war. There is no peace amongst the stars, only an eternity of carnage and slaughter, and the laughter of thirsting gods."
~The Official Introduction to Warhammer 40,000

Dystopia incites a person to fight. Dystopia incites a person to face the ever-present possibility of death. Dystopia incites pessimism, but it also incites feelings of courage and martial virtues. In other words, Dystopia is Cryptofascist. Judge Dredd, Frank Herbert’s Dune, Niven and Pournelle's The Mote in God's Eye, and of course, George Orwell’s 1984 are all good examples of dystopian fictions, and they can be said to have Fascist, or at least, anti-modern themes. The following article will deal with one of the most popular Dystopian fictions in popular culture, and that is Warhammer 40,000.