The lyrics of most modern-day pop songs are dippy, dopey, silly, sappy, and altogether crappy. But every so often, we have an anthemic event which simultaneously rocks the airwaves and also captures an essential component of the Zeitgeist with poignant alacrity. In early 1981, that event was REO Speedwagon's power ballad anthem, Keep On Loving You.
Showing posts with label cuckoldry. Show all posts
Showing posts with label cuckoldry. Show all posts
ANATOMY OF A CONTEMPORARY HOLLYWOOD "CHRISTIAN" FILM
by Alex Hawk
Theme: Diverse racial friends (including one gay Asian male) of female surgeon married to unemployed, fat, drunk white beta loser cuck want her to "liberate herself" with the handsome, brilliant, muscular, black head of surgery, but she holds on to her marriage despite physical and emotional abuse because she thinks that's what God wants.
Character arc: after an episode of racism/homophobia displayed by the priest, the doctor leaves her boring, oppressive, white-majority traditional Church in the suburbs for a hip, progressive inner-city one where – GASP! – the hot black doctor is also the minister, doing outreach toward strangely angelic inner-city diverse children.
Character arc: after an episode of racism/homophobia displayed by the priest, the doctor leaves her boring, oppressive, white-majority traditional Church in the suburbs for a hip, progressive inner-city one where – GASP! – the hot black doctor is also the minister, doing outreach toward strangely angelic inner-city diverse children.
META-CUCKOLDRY: "THE GIFT"
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| Guess who's cucking to dinner? Rebecca Hall, Jason Bateman, and Joel Edgerton in "The Gift" |
by Andy Nowicki
Two years ago, at the "old" Alt-Right site, I explored the state of the "cuckold" as poignantly displayed in an especially memorable lite-rock tune of the early 80s, a song which most oblivious listeners took simply to be a sweet, romantic, heartfelt number, though the pitifully sad lyrics clearly revealed an entirely more desperate scenario, involving a loving husband desperate to forget his wife's compulsive and unrepentant serial adultery.
In that article, republished more recently, I observed how some tropes never fully disappear, even when they are supposedly outdated: in an age gripped by gynocracy, pre-feminist standards still obtain in certain critical categories: to wit, if a man cheats on his wife, others tend to sympathize with the wronged party and deplore the caddish adulterer, but if a wife cheats on her husband, the husband is often mocked as un-manly, and is branded a disgraced "cuckold," while his wife's lover is celebrated for his seductive brio and charm, a la Hugh "Blazes" Boylan or Jamie "MacTavish" Frasier.
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