Showing posts with label incarnational theology. Show all posts
Showing posts with label incarnational theology. Show all posts

THE SIGNIFICANCE OF THE SUFFERING GOD

An excerpt from the essay "The Suffering God and the Culture of Death," published in volume 2, issue 2 of The Christendom Review in 2010, an essay now included in Andy Nowicki's  2015 book Notes Before Death: Three Essays.

What are the full ramifications of the notion of God suffering as a man?


How to begin to describe the ramifications of this strange and moving idea (the Incarnation), which is the essence of the Christian faith? One is at a loss, because the profundity of the concept is beyond all words, and this is ironic, since it is all about a “Word” (in Greek, “Logos”) allegedly “made flesh.”

What does it say about the human race that God would consent to take human form? What does it say about human suffering that God became man in order to suffer the humiliation and grief, the mental and physical pain, the ignoble punishment of a common criminal, being flogged, stripped, and nailed to a cross to die?

Let us consider the full implications of the Incarnation in Christian theology.

SCI-FI CINEMATIC CHRISTMAS: AFFIRMATIONS OF INCARNATION

Sam Rockwell as Sam Bell in "Moon"

In many ways Christmas is a highly cinematic season. The feelings that surround the holiday are finally ineffable, better expressed in images than words. Language, wonderful tool of communication though it is, sometimes fails us when it comes to conveying the glory and beauty of truly profound occasions.

That is why, when pondering the "meaning of Christmas," one often thinks of movies: Miracle on 34th StreetIt's a Wonderful Life, the many and varied cinematic incarnations of Dickens's A Christmas Carol, and so forth. Highly as I regard these and other explicitly Christmas-themed films, however, they were not the formative movies of my youth. I grew up in the '70s and '80s, and from an early age imbibed and internalized the science-fiction ethos of that time. The original Star Wars trilogy and the Indiana Jones movies thus appeal to me with more immediacy than countless, no doubt superior films from previous eras and separate genres.

SCI-FI CINEMATIC CHRISTMAS: AFFIRMATIONS OF INCARNATION

Sam Rockwell as Sam Bell in "Moon"

In many ways Christmas is a highly cinematic season. The feelings that surround the holiday are finally ineffable, better expressed in images than words. Language, wonderful tool of communication though it is, sometimes fails us when it comes to conveying the glory and beauty of truly profound occasions.

That is why, when pondering the "meaning of Christmas," one often thinks of movies: Miracle on 34th Street, It's a Wonderful Life, the many and varied cinematic incarnations of Dickens's A Christmas Carol, and so forth. Highly as I regard these and other explicitly Christmas-themed films, however, they were not the formative movies of my youth. I grew up in the '70s and '80s, and from an early age imbibed and internalized the science-fiction ethos of that time. The original Star Wars trilogy and the Indiana Jones movies thus appeal to me with more immediacy than countless, no doubt superior films from previous eras and separate genres.