"MY SEX JUNK": AN ALT-RIGHT DRAMATIC READING

Alternative Right assistant editor Andy Nowicki delivers a solemn and deeply reverential "spoken word" rendition of "My Sex Junk," Rachel Bloom's manifesto of polymorphous perversity-positivity and scientifically-verified genderfluid normalcy, as first performed to great acclaim on "Bill Nye Saves the World."

WEIRD SCIENCE

Bill Nye: the freaky-deaky sexual perversity propagandist guy?

by Andy Nowicki

Bill Nye became known to most American schoolchildren of the '90s as "The Science Guy," a lovable, bowtied eccentric who would entertainingly display various scientific principles, like, say, friction, or gravity, or electricity, or other generally unquestioned factual phenomena.

HERBERT MARCUSE AND THE TOLERANCE OF REPRESSION

Leftists are OK with this because of books they haven't read.

by Keith Preston

“I am not bound to defend liberal notions of tolerance.” –Left-wing anarchist activist to the author

The rise of the New Left is typically considered to have its origins in the student rebellions of the late 1960s and early 1970s when the war in Vietnam was at its height and cultural transformation was taking place in Western countries with dizzying rapidity. Yet scholars have long recognized that the intellectual roots of the New Left were created several decades earlier through the efforts of the thinkers associated with the Institute for Social Research (commonly known as the “Frankfurt School”) to reconsider the essence of Marxist theory following the failure of the working classes of Western Europe to produce a socialist revolution as orthodox Marxism had predicted.

TOVE LO'S TRAGIC TUNE AND THE DESTRUCTION OF THE FEMININE

by Greg Allmain

While a recent discovery to this writer, the Swedish singer Tove Lo obviously has a significant fanbase, one that likely extends throughout the world. The two top results on YouTube for her song, Habits (Stay High) have been viewed 107 million times, and 199 million times respectively. While certainly a compelling song, the tune's lyrical content is emblematic of the destruction of the sexes that the institutional Left has accomplished in the last century or so.