STAIRCASE HISTORY AND THE SUBPRIME MORALITY OF THE NANKING MASSACRE

by Colin Liddell

The French have a term for it, L’esprit de l’escalier, or “staircase wit.” It means bright and witty sayings thought of too late as one is exiting a party. But history has its own “staircase” element as well, namely events that receive historical attention much later than they should if, as we are supposed to believe, they were so important to begin with.

PETS OF CONVENIENCE

She was a PoET, bitch!

by William Solniger

Some time ago – as most readers will remember – the white people of progressive America hung their sinful heads in reverence as a low-tone, monotonous jangle (such as might be made by a large hollow object falling to the ground), accompanied by a hot, angry gust of wind (such as might be let out of an artificially-inflated receptacle), reverberated with the dull sepulchral echo of state-sanctified mediocrity across their troubled land. The hollow object was Maya Angelou and her so-called “poetry”; the hot bag of air was Ta-Nehisi Coates and his so-called “case for slavery reparations”; and given that these two had been puffed up to such giant proportions by the ethos of affirmative action, none in the establishment media dared to question that the cacophony emanating from them was anything other than an oracle of Social Justice.