JEWISH-INSPIRED "WITCH HUNT" CAUSES CIVIL WAR IN LABOUR PARTY

Jewish Labour MPs march as a bloc
to Wadsworth's disciplinary hearing.

by Trad News

With important local elections only days away, Britain's Labour Party is being divided and distracted from campaigning by a "civil war" that has broken out within the party. The civil war, which has seen acrimonious splits in the party, has been caused by a Jewish-led insurrection within the party that is seeking to intimidate critics of Israel, including the Party's leader Jeremy Corbyn, by using false accusations of anti-Semitism.

CELINE AS AN EXPRESSION OF JEWISH POWER

by Basil Benton

Despite his notoriety, Céline still makes the "top ten" of most lists for greatest French writer of all time, though there have been attempts to discredit and erase his towering presence from world letters. According to Haaretz, "Céline, who died in 1961, is considered the second most widely read author in France after Marcel Proust."

PODCAST 54: ADL SENPAI NOTICES US

Following their inclusion on the ADL's list of the top 36 movers and shakers in the Alt-Right and Alt-Lite, Alternative Right editors Andy "The Nameless One" Nowicki and Colin Liddell reflect on the ADL's mission to stay relevant in an era that has passed them by.

FEAR OF AN ANTISEMITIC PLANET

by Colin Liddell

Britain’s world heavyweight champion, Tyson Fury is in trouble again after making some comments that (1) stated that Jews control the media and the banking system and (2) imply that they use this power to brainwash people into passively following the government. This, of course, also implies that Jews control the government.

JEWISH RACIALISM AND JEWISH CAPITALISM: "BARTON FINK"

by Andy Nowicki

The Coen brothers, a directing/producing brotherly duo, are perhaps the boldest and most creative auteurs of modern-day American cinema. Their work varies wildly; it is “all over the map,” thematically-speaking, yet always distinctively itself. Some Coen brothers’ films are bizarre and phantasmagorical; others are zanily comedic, and still others can best be described as brutally horrifying. Barton Fink is a unique combination of all three of these types, and something else besides: it is a savage satire of a Jewish-run film industry, as well as being an unflinching examination of brazen hypocrisies often seen in Jewish-led political radicalism. Joel and Ethan Coen are, of course, Jews themselves, which is perhaps why they were able to get away with such a jarringly “Semitically-incorrect” depiction in the first place. (See also Kevin MacDonald’s review of their A Serious Man.)

JOE SOBRAN AND THE WAGES OF "RESPECTABILITY"

by Andy Nowicki

Self-christened advocates of cultural harmony, equality, justice, and ideological soundness have long insisted that in order to prove oneself truly tolerant one must "NEVER tolerate INtolerance."

Of course, this notion of redefining a concept as its very opposite is purposely obfuscatory. What it means, laid bare, is, "WE, your betters, decide which positions are tolerable, and which are beyond the pale. If you offend our sensibilities, we will come down on you hard. So watch your step, little man, because WE call the shots, not you."