ALTERNATIVE (WHITE)

Someone doesn't quite fit into Nazi Barbie's gang.

by Ryan Andrews

Unlike people, culture is never entirely black or white, but it does move around a lot between these theoretical poles. As the Obama administration has progressed (by happy coincidence), the aesthetic of youth pop culture has increasingly turned towards the “black.” Judging by the recent lifespan of these swings, we may be at “Peak Black;” but this is not an exact science. I do however think—and I base this opinion on historical precedent and what I think is commonsense—that these things go in cycles. Eventually, one or several of the various reactions against the “black aesthetic” will develop into a mass phenomenon—an alternative pop cultural aesthetic will emerge, and my hope is that the Alternative Right will play some role in creating it (as opposed to merely latching on to it).

THE HOMO AND THE NEGRO: AN INTERVIEW WITH JAMES O'MEARA

by Andy Nowicki

The Homo and the Negro, a provocatively-titled collection of essays recently published by Counter-Currents, reveals one of the more interestingly idiosyncratic, and thus far largely unsung, writers of the far right.

James J. O’Meara has called his own writing style “psychedelic,” and while I don’t know if this is meant to imply the actual influence of LSD in this Detroit-born, Canadian-educated baby boomer’s life, one can indeed sense quite a bit more of a Phillip K. Dick-vibe in his work than anything Evolian or Spenglerian. But maybe that’s just a roundabout way of saying that, while O’Meara has a profound interest in matters of intellectual substance, his writing is at the same time entertaining to read, and not in any way stuffy or stultifyingly academic-sounding.