In this edition of Vanguard, Richard Spencer, Andy Nowicki, and Colin Liddell discuss M. Night Shyamalan's mystery thriller The Village (2004). Is the film a subversive and "paleoconservative" take on implicit Whiteness or a reaction to the chronophobia of the early 21st century? Also, are the "villagers" cowards for engaging in "White Flight" from the modern world, and, if so, why do they wittingly keep fear alive in the woods beyond?
Show Notes
- Drums Along the Mohawk (1939)
- Andy Nowicki: "The Last White Nationalist in Hollywood"
- Thomas Fleming: "Back to the Stone Age
That was a good movie.
ReplyDeleteand i can see 'themed" living private compounds and communities as one tool for the future.
Ceasars Palace can hold 5,000 in luxury. If it wasn't a gambling house.
ReplyDeleteOr the Luxor. Or the Venetian.
Or a replica of Mayberry. or beautiful old style Asian gardens with Asian style housing community.
Or Walt Disney- Epcot. Or the different communities in Disney world.
Or Colonial Williamsburg or Plymouth.
or a replica of ancient Bethlehem. Or medieval times- little cottages with thatched roof. Or those big manors in England. Or Orania.
and underground tunnels instead of freeways to return more of the above land back to nature.
and farming too.
and these private communities will have many of their own laws.
If you like future and liberal- lampshade on head. Or old school and christian or whatever.
We will all get to live in Disneyland waiting on the Robert E Lee.